Tim Sparks is a master of the Ragtime musical style made famous
as an early 20th century art form. Originating right here in the USfrom
Sportin Houses in New Orleans to Speakeasies in Harlem, NYCRagtime
is one of the truest examples of historic American music and is considered
a precurser to jazz and blues. When played on solo acoustic guitar,
Ragtime is one of the most amazing and intricate forms of solo instrumental
guitar performance, often involving intricate picking techniques and
percussive syncopations. In other words, classical with a groove!
In the past 40 years, guitarist Stephan Grossman was proclaimed as
a master performer and teacher of the form and in recent years, Tim
Sparks has picked up the baton as the latest forerunner of instrumental
Ragtime guitar in the 21st century. With Sparks garnering arrangement
credits, much of the music covered on his 17 track, 2009 CD Sidewalk
Blues was originally penned by giants such as Jelly Roll Morton,
Bix Beiderbecke, Louis Armstrong, Fats Waller, Scott Joplin and more.
From his liner notes, Sparks claims his album includes, Tunes
that evoke a world of tobacco fields, fire-breathing itinerant preachers,
moonshine on Saturday night and rapturous Gospel singing on Sunday
morning. Fans of Ragtime and solo acoustic guitar are recommended
to give a listen to Sidewalk Blues. Guitar fans will also want
to give a listen to yet another side of Sparksyet another 2009
CD release from him entitled Little Princess, that was interestingly
released on John Zorn's Tzadik label. The Little Princess CD
features Sparks on guitar with his group interpreting the music of
Klezmer clarinetist king Naftule Brandwein. Establishing himself among
the cutting edge wave of new acoustic guitarists with much success
and variety, Sparks has the guitar covered on a number of intriguing
music fronts. www.TimSparks.com
MUSIC WEB EXPRESS 3000 presents TIM SPARKS
Guitars Center Stage
Guitarists making waves in the music world,
their new recordings and gear!
I grew up in the Piedmont, North Carolina, near Winston-Salem.
My Grandma played gospel piano and country guitar that resembled claw
hammer banjo. I was self taught learning from Doc Watson, Lightnin'
Hopkins, Brownie McGhee. In high school I got a scholarship to the
North Carolina School of the Arts and studied with Jesus Silva and
Javier Calderon as well as attending some Segovia master classes.
I also met Duck Baker and became interested in playing jazz and ragtime.
I went on the road after high school in a funk band called Yesterday's
Children playing Tower of Power, Isley Brothers, Stevie Wonder, etc.
Landed in Minneapolis and met my future bride. I eventually formed
a retro-swing vocal jazz band called Rio Nido which recorded three
albums over the next 10 years. In the late 80's I traveled in eastern
Europe and got turned on to Balkan and Gypsy music. Spent the next
few years playing in Klezmer, Greek, Persian and Belly Dance bands
while also playing straight ahead jazz including working with Brother
My first solo CD was for Peter Finger's Acoustic Music Records, a
solo version of the Nutcracker Suite. Guitar Bazaar and One
String Leads To Another followed. This brought my work to the
attention of John Zorn who invited me to contribute to his Radical
Jewish Culture series on Tzadik with Neshamah, Tanz, At the Rebbe's
Table and Masada Guitars, a project with Bill Frisell and
I have two new CDs out this year. Sidewalk Blues is
a solo fingerpicking homage to early 20th century Americana Roots
music featuring Delta Blues, rags, early jazz and country gospel.
The selections are culled from several sessions and locales over the
last few years.
Little Princess is a jazz interpretation of the music of Klezmer
Legend Naftule Brandwein and features Greg Cohen on bass and Cyro
Baptista on percussion. There are cool reharmonizations of Naftule's
melodies with improvised solos that mix elements of jazz, blues, middle-eastern
and flamenco. The ensemble playing is highly interactive. Little
Princess was recorded February 18, 2009 at East Side Sound in
For straight ahead jazz I played a 1949 Epiphone Zephyr Regent
modified with a Les Paul humbucking pickup. I still have the 1954
Martin 00-17 I played with Rio Nido 30 years ago. I used that guitar
on One String Leads To Another, Neshamah and Tanz.
I used a Lakewood made by Martin Selligar on At The Rebbe's Table.
Sidewalk Blues features the 1954 Martin, the Lakewood, a Collings
Podium custom OM style cutaway, a 1917 Gibson L-3 found in a pawn
shop in Chicago and a custom OM cutaway made by Charlie Hoffman of
I used the Hoffman guitar on Little Princess and that's the
axe I am currently playing. I also have a Turkish Oud and Saz bought
in Istanbul as well as an Enrique Hernandez Requinto, a Mexican alto
guitar which I used on The Nutcracker Suite....and I won a
Taylor Concert cutaway for 1rst Place in the Winfield National Fingerpicking
competition in 1993, which I used on Guitar Bazaar.
I usually play in a fairly naked, solo acoustic guitar setting. I
like the Baggs M-1 sound hole pick-up, active version. That and a
decent instrument mic usually sounds pretty good.
Country, blues and gospel when I was growing up in NC, especially
radio broadcasts with crazy preachers!
I like everything, anything with soul....Doc Watson, Segovia, Wes,
Jimi, Django, Chet, Sabicas....Kenny Burrell, Duck Baker, Ted Greene
and Lennie Breau. Also Monk, Miles, Mingus, Bird, Trane, Duke and
Fats. Very infuential album was 5 O'Clock Bells by Lennie Breau.
I just got back from some gigs in the Bay Area which included
a workshop and concert at the Healdsburg Guitar Festival up in the
Sonoma wine country about an hour north of San Francisco. It's held
every other year and features top luthiers from around the world.
I overdosed on beautiful guitars and good music! I'll be going to
Europe in November, December... and February of 2010.
You can hear samples of my music at:
You can find tabs at:
My email is firstname.lastname@example.org